This artwork has two components. One is a sculptural orrery on the ceiling. The brass frame is engraved with shared constellation patterns of the Lakota and Seneca who both crossed and lived in this region Each cluster of planets represents the countries of origin of the people that the airport serves. The wall cases contains a butterfly nebula, an enormous cloud of dust and gas occupying the space between stars. It is a nursery for new stars. This nebula is made from objects sourced from the airport’s lost and found.
Portals was inspired by the expansive nature of time. The past, present, and future are happening simultaneously. What alters time is perspective. Perspective is a portal. This artwork is about the perspective of space travel. Whether we travel between neighborhoods, countries, or planet to planet, we are traveling through space.
Materials: Hand Blown Glass, Acrylic, Powdercoated & Etched Aluminum, Found Objects, LED lighting
Location: International Arrivals Corridor
Type: Mixed Media
In “Portals,” Alisha B. Wormsley compares the airport as a nebula for travel in and out of worlds. It consists of a sculptural orrery as well as a lost and found collection. Within the orrery each cluster of planets represents a region of an immigrant community in Pittsburgh.
About the Artist
Alisha B. Wormsley is an interdisciplinary artist and cultural producer. Her work explores the vastness of time, where the past, present, and future coexist simultaneously. She imagines the future of arts, science, and technology through the Black matriarchal lens. Born in Pittsburgh, she has an MFA from Bard College and is a Guggenheim Fellow in Fine Arts. Wormsley is the creator of Sibyls Shrine, There Are Black People In The Future, and Cosmologyscape. Her work is exhibited around the world.
Photo courtesy of Alisha B. Wormsley
